press
WORKING MEN HAVE NO COUNTRY
L’OEIL DE LA PHOTOGRAPHIE
A nice article in the book review of L’Oeil de la Photographie by Zoé Isle de Beauchaine.
“Mixing text and image with originality while skilfully crossing historical analysis and contemporary testimonies to highlight a little-known part of the vast history of migration, Working Men Have No Country is distinguished by both its subject and its form.”
→ Read the article (french only)
DiptyK
In the book review of DiptyK magazine :
“An experimental book that enchants us.”
VIZIRADIO
→ Listen to the podcast (only in french)
LES UTOPIES ROUGES
THE BRITISH JOURNAL OF PHOTOGRAPHY
Interview on Red Utopias trilogy
REVOLV COLLECTIVE
A feature of the trilogy Red Utopias
CITE INTERNATIONALE DES ARTS
Coverage of Red Utopias and announ- cement of our March meeting, in parallel with the exhibition New Soviet Picture by Olessia Venediktova and Larisa Pelle that took place between January 24 and February 24, 2019 at la Cité internationale des arts, in Paris.
MINISTRY OF COUNTERCULTURE
Presentation of the trilogy Red Utopias
LIBERATION
Focus on the work of Christopher Nunn, Paradise which is in the third part of Red Utopias.
GARE DE L’EST
A look back at New Soviet Picture by Olessia Venediktova et Larisa Pelle qui exibited between January 23 and February 24, 2019 at la Cité internationale des arts, Paris. Their work makes up the first part of Red Utopias.
→ Listen to the Podcast (only in french)
TANK MAGAZINE
Presentation of the trilogy Red Utopias
À la Vôtre
VOSGES MATIN
Photographs covering our meeting around the release of À la Vôtre, organised by the Au Moulin des Lettres Bookshop.
Musée Immédiat
TIQUE, publication on contemporary art
Spotlight ont the book Musée Immédiat on Tique website, in the Printed Matter section. → Read the article
THE BRITISH JOURNAL OF PHOTOGRAPHY
A double page Q&A dedicated to the release of the book Musée Immédiat in the BJP print version of December 2017.
ARGOT MAGAZINE
About the exhibition at the Atelier Meraki - Paris, with a focus on Joao Bolan’s work.
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